Last thoughts on Bob Dylan’s Christmas In The Heart

By Stein Arne Nistad, Fidelity

You either hate or love it. But «Christmas in the Heart» is about far more than emotions. The pieces fit perfectly in the puzzle. Dylan is completing his musical testament.

Ever since Amazon.uk by a mistake (?) published 30 seconds sound clips from «Christmas in the Heart» September 17.th, the release has received much attention. Hardcore Dylan fans carpet bombed the discussion thread on ExpectingRain.com with their negative opinions about the project, and Dylan’s artistically mistake. Music reviewers around the world have either loved or hated the album. The same applies to the general public. It seems that they either understand and love the concept or simply don`t get it. I however, still stick to my review published tSeptember 18th: «Christmas in the Heart» is a masterpiece and possible one of the best Christmas album ever released! (http://jeveitetstelle.blogspot.com/2009/10/review-christmas-in-heart.html)

Still the album classifies as one of Dylan’s more obscure releases. Dylan has always preferred to do the unexpected. «John Wesley Harding» from 1967 did not represent a natural continuation from «Blonde on Blonde». It was a complete change in musical direction. The next albums from that period «The Basement Tapes» the country crooner album «Nashville Skyline» and «New Morning» are a mix of different musical styles. «New Moring» includes songs like «If Dogs Run Free» and «Three Angels» introducing a more jazz inspired side of Bob Dylan.

Then came «Self Portrait» in 1970. The album was received by the Dylan fans much in the same way as this year’s Christmas effort. As time goes by «Self Portrait» manifests itself as a good but not great album. It also makes a kind of sense in the Dylan catalogue. It is Dylan’s «White Album». It includes a variety of genres, expressions and musical styles, covers and originals. Greil Marcus wrote in his Rolling Stone review: «What is this shit». He did not get it at that point in time. The statement feels today as an absurdity. «Self Portrait» is simply far better than its reputation.

Dylan’s religious period is also an important and neglected chapter. Again, the members of the Dylan church went black. My first concert ever with Dylan, was in Drammen, Norway in 1981. The audience did throw stink bombs in the middle of the concert. Many of them had written Dylan off completely after he released and performed his new religious songs. The concerts got poor reviews in the papers. In retrospect, the concert was amazing. The bootleg documents an intense and well performing artist.
«Slow Train Coming» and the fundamentalist gospel album «Saved» were, and still are ground-breaking releases in its genre. «Saved» is perhaps the strongest gospel record ever made. The lyrics are certainly not easy to accept though. But it is still well written songs, given a «Born Again Christian» approach. It therefore makes perfectly sense that some of the world’s finest gospel artists joined forces to make the celebration album, «Gotta Serve Somebody, the gospel songs of Bob Dylan». Bob Dylan’s own versions of the songs, are in my opinion however far better than the cover versions.
In the late eighties and early nineties he released the beautiful album «Oh Mercy» and then the following low point «Under The Red Sky». His next step represented a complete change in direction. «Good As I Been To You» and «World Gone Wrong» are two brilliant releases. They are documentations of Bob Dylan’s historical songbook, and in many ways the inspiration to the wonderful Johnny Cash project «American Recordings». This was, except his first album Bob Dylan, Dylan’s first serious attempt to document his musical Heritance (I do not count Self Portrait and Dylan)
I see a direct line from these two albums to Dylan’s documentation project in the 21st century. «Love and Theft», «Modern Times» and to a degree «Together Through Life» are from my point of view mostly about re-creating musical inspiration from his youth and childhood. Dylan has repeatedly expressed the love and respect for this musical tradition.
In this perspective, it is appropriate and important that Dylan releases a Christmas album. The album is true to the songs origin. Dylan performs them with love, respect and he is in my opinion true to the songs values and intentions, just as he was on «Good As I Been To You» and «World Gone Wrong». Dylan obviously loves this Christmas project. It is expressed in the hilarious video – but most of all in the way he performs the songs.
A lot of people simply love this album. When you first has broken the code, and learned to love it, it`s no way back. From that moment, «Christmas in the heart» it is the ultimate Christmas album. It can be played two again and again and again.
Dylan has given us a wonderful Christmas present. He has already released the best rock, folk, protest, blues, love song, country, roots, traditional and gospel album ever. His charity Christmas album, will give millions of poor people meals through the Holliday season. Can it be any better than that?
Dylan is a genius. «Christmas In The Heart» is a masterpiece and one of the best Christmas albums ever. It documents another part of Dylan’s musical inspiration and tradition. The pieces fit perfectly in the puzzle. Dylan is completing his musical testament.
Dette innlegget ble publisert i Bob Dylan, English, Fidelity, Kultur, Musikk, Uncategorized. Bokmerk permalenken.

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